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HISTORY OF THE BUILDING
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The Museum Pecharromán The Museum
this Pecharromán located in a building raised by the
Manrique de Lara in the first third of the S. The XVIIth.
The Shield of Weapon is in the vestibule and is a copy that
might consider to be like exceptional that combines the
lineages, pertaining to nobility titles and military orders.
Constructed in wood and stone it consists of three plants
and warehouses, the principal door is of hewn stone
dintelada. They were Public Schools in the reign of Alfonso
XIII, directed by the instructing teacher Luis
Garzón, who gave name to the street. Catalogued by
Patrimony as Protected Building, he is situated in the
historical hull of They Happened from the Side, Noble
declared Villa Joint Historically - artistically in 1998 and
nailed in The Region of the Side between Plasencia and
Jaraiz, to ten kilometres of the Monastery of Yuste-palace
of Carlos V.
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Outlines nobility. - From the pertaining
to nobility point of view the figures and pieces of the
shield that occupies us, they guard relation with the
following pertaining to nobility title: Count of Osorno
with Greatness of Spain, granted on August 31, 1445, for
Don Juan II of Castile to Don Gabriel Fernandez - Manrique,
I Duque of Galisteo, Major Commander of Castile and of
León, Thirteen of the order of Santiago, Master of
Fuenteguinaldo, son of Ios I Counts of Chestnut grove.
Related to the lineages Fernandez - Manrique,
Álvarez of Toledo and Fit - James Stuart. Current
holder of this pertaining to nobility title considered as
the important mas of the world is the most excellent missis
dona Maria del Rosario Cayetana Fitz-woman's faces Stuart
and Forest, which from February 18, 1955 is A Duchess of
Alba de Tormes with Greatness of Spain.
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The MUSEUM PECHARROMAN versatile man is
born in 1996, thanks to the tenacity and Ricardo
Pecharromán y Morales generosity (Madrid 1949), great
lover of the Fine arts and propagator enthusiast of the
Contemporary Art. Cultural promoter, painter and patron, is
pioneering in the simbiosis between conservation and
creation with the support to the Cultural Patrimony and to
the new creators. The Institution is today what was in other
times his study in Extremadura.
It realizes and exhibits in his first epoch figurative
pictures, until it knows in Madrid (1975) Oskar Kokoschka,
who him makes think about his artistic path. Follower of the
group " The Step " embarks in new plastic European
currents you relate with George Baselitz y Markus
Lüpertz.
Ricardo Pecharromán's professional category is not
necessary ensalzarla. It is enough to revise his appearances
in the most important artistic cenacles of our time, with
representative samples of his creativity, to give complete
idea of the great prestige acquired by this person from
Madrid.
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PLANT OF ACCESS
In this plant there places the Room of temporary
Exhibitions, distributed, with the own vestibule and three
more dependences, for one of which it stoops to the
warehouses. The artesonado of the roofs as the rest of the
building, they are constructed by seen wood, of
autochthonous precedence.
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PRINCIPAL PLANT
It is destined to rotary exhibitions of a good number of
drawings and paintings of the richest collections that
remain in the funds of the Museum, as well as a selection
of documents related to the artistic life of the Painter.
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Anteroom. - Different pictures of surrealistic
components and expressionists orientated to the diffusion
between the hot thing and the subjective thing. The chairs
is composed of sofa and baroque armchairs by different
motives of hunt, flanked by two hachones of forge and
Italian wastebasket of middle of the XVIIIth. The space is
illuminated by a rustic lantern that comes from the study of
the Artist.
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Library. - Dedicated by the Painter to consultations
and reading, he understands different commemorative
paintings of marked postmodern style to Goya, signed in the
nineties, proceeding from exhibitions in center - europa
(1996). A furniture of style alfonsino, with German lamp of
epoch, completes the decoration.
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ROOM. - Contains linens without irruption
where the energy flows with libertinism, there being
contemplated the beautiful technical and stylistic qualities
of the expressionism. The furniture that adorns this room
consists of Elizabethan chairs, Cervantine bookshop and
carpet of the Royal Factory of Tapestries.
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PLANTS STUDY
They are the dependences abuhardilladas of the building
where the Artist was developing the great part of the
preliminary, both graphical and pictorial work and also the
definitive work of small format. In this plant we can see
besides other paintings, the information collections, the
room of reading and a great sunlight in main, own face of
these buildings of the Region of the Side.
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